At the heart of My Chemical Romance lore is the story of lead singer/songwriter/mouthpiece Gerard Way, an animator who decided to abandon illustrations and do 'something with his life' in the wake of 9/11. Needless to say, that 'important' thing was My Chemical Romance, which quickly rose to prominence among the emo and neo-punk bands that cluttered the rock landscape of the 2000s thanks in large part to 'I'm Not OK (I Promise),' a surging piece of emo pop with a hook as ridiculously catchy as its title was ridiculous. It deservedly became a hit on both sides of the Atlantic in 2005, dragging its accompanying album -- 2004's Three Cheers for Sweet Revenge, the group's second -- along for the ride, turning MCR into stars, at least in modern rock circles. But, anybody who didn't follow the fashions of emo and punk closely might have ignored the group's tragic, romantic neo-goth image and merely assumed that MCR was another good poppy punk one-hit wonder, not far removed from, say, Fall Out Boy. My Chemical Romance intended to dispel all such misconceptions with their third album, The Black Parade, an unabashed, old-fashioned concept album, complete with characters wandering through a vague narrative that concerns very big themes like death.
Actually, death is the only big theme on The Black Parade, which shouldn't come as a big surprise for a band that named their stopgap live album Life on the Murder Scene, nor should the record's theatricality come as much as a shock, either -- tragedy and melodrama are hardwired in the group's DNA, as illustrated by the often-told tale of Way's inspiration to form the band. Also, it's not as if The Black Parade is MCR's first concept album, either. Their 2002 debut, I Brought You My Bullets, and its follow-up, Three Cheers, told the interlocking story of doomed lovers on the run from vengeful vampires or some such nonsense, but only the hardcore who were willing to analyze endlessly on the Internet were aware of this; based on pure sound, MCR was an emo-punk band through and through, screaming out their feelings as if they were revelations, so it was easy to assume that their music was merely autobiographical. My Chemical Romance took great pains to have The Black Parade seem like its own theatrical work, launching a whole Web-based campaign, filled with videos and interviews explaining how the album tells the tale of 'the Patient,' a young man dying of cancer in a hospital bed who flashes back on his undistinguished life upon the moment of his death, and how the band got so into this project they considered themselves not My Chemical Romance, but a band called the Black Parade -- shades of the Beatles and Sgt. Pepper! Naturally, those allusions are quite deliberate, and one that MCR played up in that pre-release campaign, dropping liberal reference to Queen (particularly A Night at the Opera) and Pink Floyd's The Wall as well.
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It was all quite reminiscent of how the Killers set up Sam's Town with endless name-dropping of Bruce Springsteen and U2, but where the Las Vegas quartet wound up with an unholy fusion of these two extremes, MCR never synthesizes; they openly steal from their holy trinity, then graft it upon the sound they've patented. Often, it seems as if they copied The Wall onto tracing paper and placed it upon Three Cheers. The story of The Black Parade is nearly identical to The Wall -- Pink and the Patient run through a litany of childhood and adulthood traumas; absent fathers loom large; many of the main character's flaws are cruelly deemed the fault of the mother -- and there are plenty of flourishes lifted from Roger Waters' magnum opus: the opening fanfare 'The End' is a re-creation of 'In the Flesh,' right down to the churning heavy guitars that come crashing in halfway through, while 'Mama' -- shades of 'Mother'! -- sounds like Green Day performing 'The Trial,' as Way affects Billie Joe's affected mock-English accent as he comes tantalizingly close to following 'You should have raised a baby girl/I should have been a better son' with 'The way you made them suffer/Your exquisite wife and mother/Fills me with the urge to defecate.' These are not the only allusions to classic concept albums, either -- as promised, guitarists Ray Toro and Frank Iero conjure Brian May's spirit, 'Cancer' recalls Sgt. Pepper as filtered through Oasis -- but The Black Parade doesn't feel like a revival of '70s prog as much as it hearkens back to the twin towers of mid-'90s concept alt-rock: the Smashing Pumpkins' Mellon Collie and the Infinite Sadness and Marilyn Manson's Antichrist Superstar. Manson's enduring fascination with the grotesque echoes throughout the album, from the artwork through Way's overcooked, bluntly ugly lyrics (highlighted by 'soggy from the chemo'), but its heart lies with the Pumpkins, and not just because after his Parade makeover Way strongly resembles Billy Corgan.
Like the Pumpkins, My Chemical Romance shares a love of classic metal that manifests itself in both pummeling riffs and soaring guitar solos, plus they also have a flair for melody, two things that give their solipsistic rock muscle and grandeur. If MCR didn't have these gifts, The Black Parade would collapse in a pile of drama club clichés, sophomoric self-pity, and an adolescent obsession with death, yet they manage to skirt such a disaster even if they flirt with it shamelessly. But that doesn't necessarily mean that the album is a triumph. For one, The Black Parade plays a lot straighter than it reads. Sure, it has the marching bands, overdubbed choirs, radio-play theatrics, and Liza Minnelli cameos, a list that makes the album sound like a wild Grand Guignol rock opera but all of that winds up being window dressing to music that often isn't far removed from what My Chemical Romance has done before. Despite all these seemingly fancy accouterments, they're still a modern emo-punk band, which means for all the emotion poured out by their ever-earnest lead singer, there's little grit in their sound and Rob Cavallo's brittle production doesn't help, as its wall of digital sound emphasizes the sonic similarities between the songs instead of their differences. And there are a lot of similarities here: the bulk of the record is firmly within MCR's comfort zone, which helps make the extra flair -- which doesn't arrive as often as it should -- stand out all the more. But even if this isn't quite the radical break that it was intended to be, MCR does their signature blend of Sturm und Drang better than ever -- 'Dead!' rushes along on a series of escalating hooks, 'This Is How I Disappear' surges with purpose -- and when they're paired with tunes that do break the mold, like the wonderfully pompous title track 'Welcome to the Black Parade' or 'Teenagers,' a tremendous reworking of the 'Bang a Gong'/'Cactus' riff that is the simplest and best song they've ever written, it makes for a record that's their strongest, most cohesive yet, even if it isn't quite as weird or compelling as it should be given the group's lofty ambitions.
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Biography
Two school friends - drummer Matt Pelissier and soloist Gerard Way, founded the band My Chemical Romance, titled after the novel Trainspotting by Irvin Welsh, in 2001. The guys decided to try themselves in song composition and wrote their first thing Skylines And Turnstiles, devoted to the tragedy of September, 11. In some time the artists realized that they needed a full-time band to perform songs live. Guitarist Ray Toro, rhythm guitarist Frank Iero and Gerard's younger brother Mikey Way extended the band - Mikey wanted to join the group so much that he learned to play the bass for the case. In this lineup, My Chemical Romance signed to the Eyeball Records and released the piercing debut I Brought You My Bullets, You Brought Me Your Love in 2002. Love, death, depressions and revenge became the main themes of the album. The mixture of pop punk and rock, spiced up with black humor, caught the attention of the audience.
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In 2003, the command switched to the Reprise Records and recorded their breakthrough disc Three Cheers For Sweet Revenge, which saw light in 2004. The work featured such hits, as I'm Not Okay (I Promise), Helena and The Ghost of You. The style of My Chemical Romance began to be defined as emo, but the musicians themselves severely refuse from such definition of their creativity. The controversy around the band was ignited again after Matt Pelissier was expelled from the band and substituted by Bob Bryar. Moreover, it became known that Gerard Way used to take drugs and alcohol to struggle the depression. After the release of Three Cheers For Sweet Revenge, the command actively toured around the USA with such starry colleagues as Green Day and Fall Out Boy. The My Chemical Romance members along with The Used also recorded the cover for Under Pressure song, performed earlier by Queen and David Bowie.
In April 2006, My Chemical Romance got down to the record of their third studio attempt The Black Parade. However, the artists did not made public the title of the disc until its release. The quintet worked over that full-length with Rob Cavallo, known for his collaboration with Green Day. The disc had a conception - all the songs were united with one theme and represented the reminiscences of the main character, called the Patient, who died of cancer in his youth. In order to fit the image of a person, who underwent the chemotherapy, Gerard Way even lost some weight and bleached his hair. Lead single Welcome To The Black Parade was accompanied with the spectacular video. In the process of shooting video for dramatic and speedy hit single Famous Last Words Gerard Way and Bob Bryar were injured - this caused the cancellation of several tour concerts. The Black Parade album was noted as one of the strongest records of 2006, while the world tour in the support of the disc was a sound success. After the end of the tour, the musicians of My Chemical Romance stated that they wanted to have a rest and the listeners should expect the next album in 2008 or later. The second live album The Black Parade Is Dead! was released in 2008. It includes records from My Chemical Romance performances of 2007. Release of the long awaited long play Danger Days: The True Lives Of The Fabulous Killjoys took place in 2010. The record attracted band’s numerous fans’ attention in no time: the conceptual album tells us a whole story, the main characters of which are My Chemical Romance musicians. The story happens in 2019, and besides an interesting plot, listeners got incredible compositions. The rockers had been working on Danger Days: The True Lives Of The Fabulous Killjoys since 2006, and it is worth mentioning that the result satisfied all the expectations.
Studio Albums
Danger Days: The True Lives of the Fabulous Killjoys
